Active during the late 14th and early 15th centuries, Anovelo da Imbonate was a key figure in the artistic landscape of Milan. His training and early career were deeply rooted in the traditions of Lombard Gothic art, a period characterized by intricate detail and a transition toward more naturalistic representation in religious iconography.

He is primarily recognized for his work as a manuscript illuminator, where he applied a refined aesthetic to liturgical and secular texts. His compositions often feature the delicate line work and decorative flourishes typical of the period's manuscript tradition, reflecting the sophisticated tastes of the Milanese court and ecclesiastical patrons of the time.