Emerging from the Bristol underground scene in the 1990s, the artist developed a signature style rooted in collaborative graffiti culture. By utilizing stencils to execute complex imagery rapidly, he established a global presence while maintaining a strictly guarded, pseudonymous identity.

His practice centers on subversive epigrams and dark humor, often addressing themes of social and political critique. The work frequently manifests as site-specific interventions on public walls, bridges, and urban infrastructure, challenging traditional notions of art ownership and institutional display.

Recent recognition includes the inclusion of his design work in major institutional exhibitions, such as the inaugural showcase at the V&A East Museum in London. His influence continues to bridge the gap between street-level activism and formal museum collections.