Born in London, Bridget Riley studied at Goldsmiths College and the Royal College of Art. She gained international prominence in the 1960s, becoming a central figure in the Op Art movement through her rigorous exploration of perception and visual phenomena.

Her practice centers on the precise arrangement of geometric shapes, lines, and colors to induce a sense of vibration or instability in the viewer's eye. Working primarily in oil and acrylic, she has expanded her output to include large-scale wall paintings and preparatory studies that emphasize the mathematical and rhythmic qualities of her compositions.

Riley continues to receive significant institutional recognition, including a major survey titled Learning to See at Turner Contemporary and a dedicated display at Tate Britain. Her ongoing influence is underscored by recent acquisitions, such as the 2024 painting Concerto I, which she donated to the Tate collection.