Born in Gotha, Germany, Hannah Höch became a central figure of the Berlin Dada movement during the Weimar Republic. She gained recognition for her innovative use of mass-media imagery, challenging the artistic conventions of her time through her distinct approach to collage and photomontage.

Her work is characterized by the critical and often satirical arrangement of photographs clipped from newspapers and magazines, which she used to explore themes of gender, politics, and the rapid modernization of society. By deconstructing and reassembling these images, she created complex visual narratives that reflected the fragmented reality of the early 20th century.

Höch's historical influence continues to be recognized in contemporary institutional surveys. Her work is frequently included in major international exhibitions that examine the intersection of technology, identity, and the evolution of visual media throughout the 20th and 21st centuries.