Born in Sweden, Hilma af Klint was a classically trained artist who later became a central figure in the development of Western abstraction. She was a member of The Five, a group of women who practiced séances and sought to communicate with spiritual entities known as the High Masters, which profoundly shaped her artistic output.

Her signature work is characterized by a unique visual language that blends geometric abstraction with symbolic, organic forms. She often utilized her art as a medium for exploring complex spiritual and esoteric themes, most notably in her expansive series The Paintings for the Temple, which she produced between 1906 and 1915.

In recent years, af Klint has received significant international recognition as a foundational figure in the history of modern art. Major institutions, including the Centre Pompidou and the Grand Palais, have organized monographic exhibitions to re-examine her role in the evolution of abstract painting and her distinct spiritual practice.