Born in New York City, Joan Jonas studied art history and sculpture before emerging as a central figure in the downtown New York performance art scene of the late 1960s. She gained early recognition for her innovative integration of video technology into live performance, effectively bridging the gap between conceptual art, theater, and visual media.

Jonas is known for her signature use of props—most notably mirrors and masks—to manipulate space and perception. Her practice often involves complex, multi-layered installations that combine archival footage, live video feeds, and sculptural elements to create immersive, non-linear narratives. Her work frequently draws on literary and mythological sources, reflecting a deep interest in the intersection of human history and the environment.

Her influence continues to be recognized globally, with major surveys and retrospectives held at leading international institutions. Recent exhibitions, such as her 2025-2026 survey at the Nam June Paik Art Center, highlight the enduring relevance of her career, which spans over five decades of experimentation with video performance and installation art.