Nicolas Froment was an active painter during the 15th century, primarily associated with the artistic traditions of the Second School of Avignon. While his early life and formal training remain largely undocumented, his career flourished under the patronage of King René of Anjou, who served as a significant benefactor for his work in Provence.

His practice is characterized by the use of oil on panel, often featuring intricate, naturalistic detail and a mastery of light that reflected the influence of Northern European painting styles. His signature works typically take the form of large-scale religious triptychs, which combine devotional iconography with precise, realistic depictions of contemporary figures and settings.

Froment remains recognized for his contributions to the development of the Avignon school, bridging late medieval aesthetics with the emerging techniques of the Renaissance. His surviving panels continue to be studied for their technical sophistication and their role in the cultural history of the papal court and the Angevin dynasty.