Based in New York City, Rachel Rossin operates at the intersection of fine art and computer programming. Her practice is defined by a hybrid approach that bridges the gap between physical media and immersive digital environments, establishing her as a significant figure in contemporary new media art.

Rossin’s work frequently utilizes gaming engines and virtual reality to investigate themes of entropy, embodiment, and the ubiquity of modern technology. By blending painting and sculpture with complex digital simulations, she creates environments that challenge the viewer's perception of space and the digital self.

Her contributions to the field have been recognized by major institutions, including the Whitney Museum of American Art. She continues to be a prominent voice in the development of net art and digital interventions, participating in ongoing institutional programs dedicated to the evolution of new media.