Born in Chicago, Simone Leigh developed a practice that spans sculpture, video, and social practice. She is recognized for her focus on the experiences of women of color, often utilizing materials like ceramic, bronze, and raffia to reframe historical narratives and cultural memory.

Her work frequently draws upon vernacular objects and African art traditions to create monumental forms that occupy space with physical and conceptual weight. By centering the Black female body, Leigh challenges traditional art historical hierarchies and examines the complexities of identity and social marginalization.

Leigh has achieved significant international recognition, including representing the United States at the 59th Venice Biennale in 2022. Her work is held in major museum collections and continues to be a central reference point in contemporary discussions regarding the intersection of craft, history, and social practice.