Born in Geneva, Switzerland, Sylvie Fleury emerged in the early 1990s as a prominent figure in the contemporary art scene. She gained early recognition for her Shopping Bags series, which presented high-end retail bags as readymade sculptures, effectively blurring the lines between commercial branding and fine art.

Her practice spans sculpture, installation, and mixed media, frequently incorporating motifs from fashion, cosmetics, and automotive design. By recontextualizing these consumer goods, Fleury explores the psychological and social dynamics of desire, status, and the historical gender biases inherent in art production.

Fleury continues to be a significant presence in international contemporary art, with her work featured in major institutional exhibitions. Her inclusion in thematic group shows, such as the 2026 Beyond the Manosphere exhibition at the Stedelijk Museum, underscores her ongoing relevance in discussions regarding cultural identity and societal constructs.