Born in London, Tracey Emin rose to prominence in the 1980s and 1990s as a key figure among the Young British Artists. Her practice is defined by its raw, personal nature, often drawing directly from her own life experiences to explore themes of memory, trauma, and identity.

Emin utilizes a wide variety of materials to translate her internal narrative into physical form, ranging from intimate textile works and drawings to large-scale neon installations and bronze sculptures. Her work often challenges the boundaries between the private and the public, transforming personal history into universal visual language.

In 2026, Emin is the subject of a major career-spanning retrospective titled A Second Life, organized by Tate Modern and presented at the Louisiana Museum of Modern Art. This survey, which includes over 100 works, highlights her enduring influence on contemporary art and her continued evolution as a multidisciplinary artist.