Born in Alexandria, Egypt, Wael Shawky has established an international practice that bridges historical research with contemporary visual storytelling. He gained significant recognition for his ambitious film projects, which often utilize marionettes and elaborate stage sets to dramatize pivotal moments in history, challenging traditional Western-centric historical accounts.

His work frequently explores themes of cultural identity, religion, and political power. By employing diverse media including video, performance, and installation, Shawky creates immersive environments that invite viewers to reconsider the complexities of historical memory and the construction of national narratives.

Shawky’s recent work, including the video installation Drama 1882, has garnered widespread critical attention, notably following its presentation at the Egyptian Pavilion during the 60th Venice Biennale. His practice continues to be featured in major international institutions, with recent acquisitions by museums such as the Stedelijk Museum Amsterdam and Bonnefanten Maastricht.