Born in Frankfurt and based in London, Lawrence Lek works primarily as a simulation artist, utilizing 3D rendering technology to construct expansive virtual worlds. His practice bridges the gap between traditional filmmaking, electronic music, and interactive gaming, often resulting in complex, site-specific installations.

Lek's signature work frequently centers on the intersection of technology and cultural identity, most notably through his video essay Sinofuturism. His portfolio includes a range of open-world simulations such as 2065 and Unreal Estate, as well as collaborative audio-visual projects like Nøtel, created alongside the musician Kode9.