Thaddaeus Ropac: Austrian Pavilion at Venice Biennale Presents Hourly Bell Performance

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Friday, October 9, 2026 · 1 min read
Venice
Image: Venice · Photo by Nicola Pavan on Unsplash
Exhibition Thaddaeus Ropac

The Facts

The Austrian Pavilion at the Venice Biennale offers an hourly performance centered on a giant bell. As the hour approaches, a gray, indefinable sound resonates through speakers. A nude woman wearing a belt with a metallic sphere climbs a rope to the bell, enters it, and hangs upside down. At the strike of the hour, she shakes her body to strike the bell with the sphere, creating an alarm-like resonance. The audience includes general visitors, artists, curators, art journalists, and Gold Card holders supporting the Biennale. Other performers include women with modified bodies climbing pillars and a woman riding a jet ski in an indoor water tank, emitting primal sounds that harmonize with the bell.

The Signal

The performance reconfigures stereotypes through the image of a 'Modern Venus,' combining physical prowess with post-apocalyptic imagery reminiscent of "Mad Max." The use of the alarm bell as a sonic anchor alongside diverse female bodies signals a curatorial interest in immersive, feminist performance art. For collectors and curators, this work underscores the Venice Biennale's ongoing commitment to challenging traditional representations of the female form and engaging with urgent contemporary themes through visceral, site-specific installations.

  • Galleries: Thaddaeus Ropac
  • Locations: Venice
Originally via Thaddaeus Ropac · Curated by The Cultural Signal

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