
Thomas Struth Awarded Soane Honors for Photography; Paris Masterclass Set
On September 8, 2026, Galerie Max Hetzler announced that Thomas Struth has been awarded the Soane Honors Award for Photography.
9 stories on The Cultural Signal

On September 8, 2026, Galerie Max Hetzler announced that Thomas Struth has been awarded the Soane Honors Award for Photography.

On September 1, 2026, Gagosian announced that Maurizio Cattelan has been named the 2026 winner of the Preis der Nationalgalerie. The prize, established in 2000 by the Freunden der Nationalgalerie, includes a solo museum exhibition.

On September 1, 2026, Galerie Max Hetzler announced that Günther Förg is included in 'Hardcore', a group exhibition at FAHRBEREITSCHAFT in Berlin. The exhibition draws on works from the haubrok foundation. FAHRBEREITSCHAFT, a former bus depot, has been repurposed as an exhibition space.

On August 27, 2026, Lempertz announced that the Kulturkreis der deutschen Wirtschaft im BDI has commissioned the auction house to sell its collection, which includes numerous works on permanent loan to German museums. Selected pieces will be offered during the forthcoming autumn season.

On August 28, 2026, Galerie Max Hetzler announced that Matthew Barney's 1988 video work 'SCABACTION' is included in the 16th Gwangju Biennale, titled 'You Must Change Your Life,' inspired by Rainer Maria Rilke's poem.

Georg Baselitz, the German painter renowned for his upside-down motifs and provocative political imagery, has died at age 88. Thaddaeus Ropac gallery has organized an exhibition of his late works at Gl. Holtegaard in Holte, Denmark.

On August 19, 2026, Galerie Max Hetzler announced that a recent reiteration of André Butzer's 'Frauenbildnisse' has entered the permanent collection of the Städel Museum in Frankfurt am Main.

Gagosian gallery announced that Nan Goldin's film "You never did anything wrong, Part I" (2024) will screen on September 5, 2026, as part of the Cinema Galleggiante—Acque Sconosciute (Floating Cinema—Unknown Waters) festival in the Venice Lagoon.
Tom Holert examines Harun Farocki’s views on the function of film and images, referencing a 2014 Berlin Documentary Forum panel where Farocki discussed the early twentieth-century shift of film toward entertainment and education.
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