Kunsthaus Zürich to Reopen All Collection Sections by April After Fire and Asbestos Remediation

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Monday, September 7, 2026 · 2 min read
Zurich
Image: Zurich · Photo by Henrique Ferreira on Unsplash
Museum Kunsthaus Zürich

The Facts

Kunsthaus Zürich announced on January 25, 2023, that all sections of its collection will reopen between March and April 2023, following a fire in the packing room in August 2022. The fire, which occurred during the night of August 2–3, led to the closure of many collection rooms. Some 700 paintings and sculptures were taken down or relocated for appraisal and soot removal. During subsequent cleaning, traces of asbestos were discovered on concealed building components, though no airborne particles were detected, posing no danger to visitors or staff. The building's owner, Stiftung Zürcher Kunsthaus, commissioned an audit of the building fabric in evacuated areas dating from the 1910s and 1970s. Repairs, including asbestos removal and acoustic improvements in the entrance hall, are being carried out before artworks, staff, and visitors return. The entrance hall and passage to the Müller building (housing Alberto Giacometti and Pop Art) are set to reopen in early March, followed by the Moser building (Old Masters, Swiss art, and works by Fuseli, Hodler, Chagall, Klee, Munch, and the Nabis) in early April. New acquisitions by Ella Littwitz, Robert Rauschenberg, Hiwa K, Sylvie Fleury, and Marlene McCarty will be displayed for the first time.

The Signal

For collectors and curators, this phased reopening signals that Kunsthaus Zürich is prioritizing both conservation and visitor experience, investing in infrastructure upgrades that could enhance the museum's long-term appeal. The addition of recent acquisitions—including works by Rauschenberg and Hiwa K—suggests a strategic push to refresh the collection with contemporary voices, potentially increasing the institution's relevance for international loan exhibitions and partnerships. The temporary admission price increase from CHF 18 to CHF 23 after reopening reflects the costs of remediation, a move that may test visitor elasticity but underscores the museum's commitment to maintaining high standards.

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Originally via Kunsthaus Zürich · Curated by The Cultural Signal

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